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THE BATMAN – The Bat and The Cat Trailer

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Gotham gets a new alliance, and it’s built on distrust.

Warner Bros. dropped a fresh look at Matt Reeves’ “The Batman” on December 27, 2021, and this time the marketing shifted its focus. Where earlier teasers zeroed in on Robert Pattinson’s brooding, vengeance-fueled Bruce Wayne working his second year on the job, “The Bat and The Cat” trailer spends its nearly two-and-a-half minutes on the uneasy partnership forming between Batman and Zoë Kravitz’s Selina Kyle. The film still opens in theaters March 4, 2022, and this cut gives the clearest sense yet of how the Riddler’s terror campaign is going to pull those two together.

• The trailer runs roughly two-and-a-half minutes and centers Batman’s evolving, tentative alliance with Selina Kyle rather than his solo crusade.
• Paul Dano’s Riddler, alias Edward Nashton, is shown taunting Bruce through recorded ciphers and live broadcasts while exposing corruption tied to the Wayne family’s legacy.
• Kravitz delivers the trailer’s defining line — “The bat and the cat. It’s got a nice ring to it” — as the two team up against Gotham’s underworld.

A Partnership Built On Suspicion

The footage frames Bruce and Selina’s dynamic as anything but instant trust. Both are operating in Gotham’s shadows for their own reasons, and the trailer leans into that friction before letting it soften into cooperation. It’s a notable pivot from the first teasers, which sold Pattinson’s Batman as a near-feral loner scrawling case notes and stalking crime scenes alone.

Kravitz’s Catwoman gets the trailer’s signature moment, and it doubles as the thesis for the whole marketing beat heading into March:

“The bat and the cat. It’s got a nice ring to it.”

The Riddler’s Widening Target List

Paul Dano’s Edward Nashton isn’t just picking off random victims. The trailer shows him directly targeting Gotham’s corrupt elite, using recorded ciphers and live broadcasts to taunt Bruce personally while pulling on threads that connect the Wayne family’s history to the city’s institutional rot. That’s a heavier narrative lift than a standard costumed-killer plot, and it explains why Bruce can’t simply outmuscle this particular threat — he has to out-think it.

The approach recalls how prior Riddler-style antagonists have operated across the genre, layering puzzles over violence, though Reeves’ version leans more procedural-thriller than comic-book camp. Readers who enjoy tracking how filmmakers reshape familiar comic mythology might also check out the breakdown on Marvel Studios’ Moon Knight trailer, which similarly reframes a well-known character through a grittier lens.

The Action And The Supporting Cast

Beyond the Riddler’s psychological warfare, the trailer packs in the set pieces fans expect from a Batman tentpole: Batman leaping clear of explosions, close-quarters combat, and car chases built around the film’s growling, muscle-car take on the Batmobile. Andy Serkis appears again as Alfred Pennyworth, Bruce’s butler and closest confidant, while Colin Farrell’s heavily disguised Oswald Cobblepot and Jeffrey Wright’s Lieutenant James Gordon both get moments woven into the chaos gripping Gotham.

Those supporting turns matter here because the trailer is selling scale — a Gotham where corruption runs from City Hall to the police department to the Wayne name itself, and where Batman needs allies, reluctant or otherwise, to make any dent in it.

Significance of the Marketing Shift

Rolling out a trailer this close to the March 4 release that foregrounds Catwoman over solo Batman theatrics suggests Warner Bros. sees the Bruce-Selina chemistry as a real selling point, not a subplot. It’s a different marketing bet than the studio made with earlier DC releases, and it tracks with how anticipation has built around Reeves’ vision generally — fans have spent over a year dissecting every frame released since the character’s costume and Batmobile were first unveiled.

With just over two months left before release, expect the next round of marketing to lean further into the Riddler’s cipher gimmick — Warner Bros. has already used in-world puzzle drops to tease plot details, and there’s little reason to think that stops before March 4.